“Romy Golan explores the historical unconscious of 1960s Italian art as she opts for a new kind of temporality that is nonlinear and fractured. Based on this subtle historiographic strategy, Flashback, Eclipse not only challenges prewar and postwar periodizations in Italian art, but also reevaluates the performance of anachrony in the writing of art history.”-Spyros Papapetros, Associate Professor of History and Theory of Architecture, Princeton University “Adapting the cinematic and temporal processes of flashback and eclipse recruited by Italian artists and film directors in the 1960s, Golan creates her own montage, in which art and politics, history and criticism, as well as the memory and actuality of Fascism become enmeshed through techniques of ‘mimetic subversion.' The result is a dazzling mosaic that stages contemporary auteurs, like Pistoletto and Antonioni, in conversation with the historical figures of Aby Warburg and Giordano Bruno. The book’s main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters). What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance. The book begins in Turin with Michelangelo Pistoletto’s Mirror Paintings moves on to Campo urbano, a one-day event in the city of Como and ends with the Vitalità del Negativo exhibition in Rome. In view of the photographic and filmic nature of these two concepts, the book’s analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation. Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporality-the flashback and the eclipse.
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Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form. Most analyses have treated the 1960s in Italy as the decade of “presentism” par excellence, a political decade but one liberated from history. Overall the shoot went well, though McCarthy did mention having to use HDR techniques to overcome some high-altitude clouds that threatened to ruin the photoshoot.Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. To accomplish this, he set up his cameras at different angles. McCarthy wanted to capture the Moon at different angles.
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To ensure he could capture every detail possible, McCarthy used a three-camera setup. You can check them all out on his Instagram. Some include a photo of the Moon with the Seven Sisters, as well as pictures of just the Moon during the peak of the eclipse.
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McCarthy also released a series of photos on his Instagram dedicated to the lunar eclipse.
![eclipse book amazon eclipse book amazon](https://m.media-amazon.com/images/I/61MXQWhEiWL.jpg)
He felt this led to a more original design while also showcasing the beauty of the lunar eclipse entirely. Instead, though, he decided to arrange each sequence together as you see them in the final image. When speaking with My Modern Net, McCarthy shared that he originally thought about arranging the images where they overlapped just enough to create a round shadow showing the shape of the Earth. This time, though, he was able to see it perfectly from beginning to end. However, his location at the time didn’t give him a clear enough look at the event.
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Don't Miss : Thursday’s top deals: 100+ crazy Amazon Black Friday deals you need to see to believe Lunar eclipse photos show the entire event in one imageĪccording to My Modern Met, McCarthy originally planned to make an image similar to this back in May, during that lunar eclipse.